All productions - Forward Dance Company

SEAT OF POWER (2026)

SHOWING

The FORWARD DANCE COMPANY will offer a glimpse into its current production at TANZ | MODERNE | TANZ in Chemnitz. Choreographed by Ofra Idel, a trio of dancers explores the tension between power, responsibility, and community through dance.

I’M HUMMING TO NUMB SOUNDS OF BURSTING (2026)

A choreographic research for a future among ruins

How do we keep experiencing togetherness when everything falls apart? A choreographic research for a future among ruins.

OPENING (2025)

MIRJAM GURTNER + FORWARD DANCE COMPANY BY LOFFT – DAS THEATER

OPENING, the opening piece of Kunstfest Weimar 2024 is coming to LOFFT as an adapted stage version: in the black box, it addresses the fragility of human existence between isolation and solidarity.

OPENING (2024)

OPENING OF THE KUNSTFEST WEIMAR 2024

Choreographed by Mirjam Gurtner, six dancers encounter the history of democracy and dictatorship on Weimar's Theaterplatz, from Goethe and Schiller to Buchenwald.

GESTALTEN (2023)

Dance in the Monument to the Battle of the Nations

History and the granite that makes up the Monument to the Battle of the Nations in Leipzig meet the immediacy and variability of the living body.

SULLE SPONDE / AdK BERLIN (2023)

With SULLE SPONDE / AdK BERLIN, we open the exhibition THE GREAT REPAIR and enter into dialogue with its emblematic venue, the Akademie der Künste Berlin (AdK).

SULLE SPONDE (2023) / VENICE BIENNALE OF ARCHITECTURE (2023)

Adaption for the VENICE ARCHITECTURE BIENNALE

SULLE SPONDE seeks dialogue with its surroundings at the Giardini della Biennale and opens up spaces of perception and care, repair and renewal, fragility and perfection: spaces in which our ideas of norms, narratives and nations can meet in new ways.

SULLE SPONDE DEL LAGO – ON THE SHORES OF THE LAKE (2022)

A critical view of Swan Lake

Together with the dancers of FORWARD DANCE COMPANY by LOFFT – DAS THEATER and its artistic project director Gustavo Fijalkow, choreographer Alessandro Schiattarella takes a critical and personal look at one of the most famous works of classical ballet: Swan Lake.

EINBLICKE (2021)

View through the keyhole

The curtain falls, and the performance begins. The audience follows the action taking place on the stage, experiences ups and downs, and in the end, there is applause and a curtain call. But how does a dance piece actually take shape? Which moments influence the path to the goal?